BARTHES, a frame without contradiction, with the perfect design, with the soul retro forever, offers an extreme elegance and does not suffer from any constraint. Its purity makes it a precious object, the balance of its proportions gives it a peaceful assurance. It is poetic, philosophical, modern, obvious.
PALETTE, it is the mount that would be designed Mondrian himself. A round graphic, design, balanced, for the small faces, with crossing lines that come to create the suspension of the curves. In the end, the rounded shapes seem to spin like the wind. His expression is pure, minimal, fair, even constructivist!
GINICASTER, genderless frame with arched double-deck, is the most rocky model of the HI FI concept. The brow bone is a direct reference to guitar pickguards, and the almost artisanal precision of the finishes is inspired by the work of the luthiers who, yes, also make the instruments furiously electric.
PAINT, the small concentrated model of the series, is a square frame, dense, softened by curves. Its underlined arcades and its thickness dress the fine faces in search of a real graphic expressiveness. As on the PALETTE, a horizontal line accentuates its geometry. She loves fashion, design, Brooklyn outings and alternative playlists.
BOETIE, una armación mixta e inteligente, que cae perfectamente y desafía las leyes de ingravidez. Evoca los anteojos viejos mientras mira hacia el futuro, invoca la pasión de un Rimbaud y el fuego Baudelairian, y no retiene sus suspiros románticos. Es, sobre todo, eterna y juega con la noción del tiempo.
BURROUGHS is the rock 'n roll of the concept, the mount that defies beliefs and assumes its thirst for new experiences. With its pilot form, its cut sections, its raised bridge (inevitably), it holds the line and the shock. Always questioning our preconceived ideas, she plays with the codes of the past while turning to the future. History to see far, far away.
SOLSTICE, the glamorous butterfly of the series, organic, voluptuous. The Solstice asks for intrinsic femininity, that which expresses itself, that which appears, that which stands out without restriction. Retro femininity, she has the devil in her body and demonic wings open.
FAIRY, the feminine and optimistic frame, without excess, goes to all faces, thanks to its studied classicism. She respects the face and the personality of the one who carries it. Its softness and simplicity make it a safe bet and inspire sympathy. A model of great accuracy.
ALMA, small, classic, feminine, fresh, is a sparkling butterfly, and finds a place of choice in the essentials of the House. Easy to slip on your nose in any circumstance, it is suitable for small faces and fine features. More subtle than affirmed, sweet but irresistible, she likes. Simply but surely.
FOSSETTE, slightly fluttering, makes the eyes almondy, soft and penetrating, lengthens the expression of the look and is well adapted to medium distances. Lightness, relevance, romanticism, she is wise, but she hides her game well.
SAHARA is a masculine and retro hexagonal model, whose characteristics make it a very special model. With its fantastic double bar designed for the capricious spirits, SAHARA makes the dust fly and takes its quest to the holes. The encounter of the titanium and a strap of acetate makes it a frame always refined, present and of such lightness that almost forget when used.
MARCIA loves slamming doors, slims jeans, loose t-shirts, her girlfriends, boyfriends and send emojis. Between classes, she dances, dances, dances, she flies like the wind. It even seems that, hush, MARCIA does not tell everything to his parents.
DIDDLEY is an angular model, assertive, ample, and knows how to play his exaggerated square. It is an electric mount, rock, tense, which brings, with exigency, a real energy to the big faces. There is a lot of personality and shift at DIDDLEY, as well as a weakness for black novels, their dark alleyways borrowed at night and grand panoramas.
SANTIAGO is a sharp and angular model, both retro and free of conventions. Proud, tense, SANTIAGO loves small faces, curious minds, and claims a free femininity. Its double-bridge, its geometric lines and its mechanisms create an incisive and unexpected conversation.
MARIUS was imagined by the rockers and the punks, the children that nothing discourages. MARIUS is made for those who already prefer the guitar to the traditional cuddly toy, and for those who do not have cold eyes, and advances in life with balloons, at school, in the canteen, and even in the arms of the father or mother!